North East Editorial and Documentary Photographer | CRB Official Opening Event in Billingham

I was asked to take event photographs at the opening of a new biochemical facility in Billingham in Cleveland recently, when Cambridge Research Biochemicals held the official openings of its £1m Gardner Ratcliffe building.

CRB specialises in custompeptide and custom antibody production for research and industry, and I was commissioned by Better Brand marketing agency to photograph the CRB event in Billingham,Teesside. The new logos, signage helped create a photo bank of images that worked well in brochures and for other printed marketing materials. 

A group of highly respected scientists from around the UK gathered to see a ribbon cut and a plaque unveiled, as well as listen to speeches by CRB’s senior team, plus a talk by Professor Gillian Griffiths, the Director of the Cambridge Institute for Medical Research. VIP guests included Dr Joseph Gardner of Pfizer and Dr Steven Ratcliffe of GSK, after whom the building was named.

Guests were invited to take a tour of the peptide and immunology laboratories and view demonstrations by CRB’s team of biologists and chemists, and I worked rapidly to keep up with the two groups of visitors and get some action shots in the labs as people moved round the building.

A sea of people in white coats against mainly white laboratory backgrounds presented crisp clean images, some walls were branded with plum and dark blue which helped produce a set of varied shots.

Space was tight, particularly in the corridors where I was keen to photograph CRB’s company timeline art on the walls, but having taken a selection of lenses I was able to get some clear photos that showed off the imagery.

Being a north east corporate photographer and not a scientist meant that some of the technical presentations went over my head, but I actually learned a lot about the business and the biochemicals industry, and people were happy to chat with me as I worked around the building.

On a 4-5 hour shoot like this one it is important not to get in people’s faces, I like to let them get on with the job in hand and feel at ease rather than worrying where the chap with the camera is. Someone actually commented on how quiet my camera was.

Once the official business was concluded and I had taken some group photos of staff members outside the building, I followed in my car as the guests travelled by coach to have afternoon tea at nearby Crathorne Hall in North Yorkshire.

Using one of the different lenses I had with me I was able to get some relaxed photos of the guests enjoying tea, and finished off with an overhead shot of everyone gathered in the courtyard.

I had also been asked if I could take some video footage of the event, but with such a tight brief and at least two separate tours of the facility going on, I opted to recommend a specialist video photographer based in Stockton instead, who I knew he would do a great job.

It was a long day but I was happy that I had met the client’s brief, and I was pleased to see my photos used by the Newcastle-based Journal newspaper, Middlesbrough Gazette and pictures in the Darlington’s Northern Echo over the following few days.

Test Camera Shoot | Fuji X100 in Cannes, South of France

As a busy North Yorkshire freelance photographer regularly doing a 50-70 hour week I find it hard to squeeze in some time off, so a recent trip to the South of France with my family was a real treat.

Most of the time we stayed at St Maxime, not far from St Tropez, but for the last few days we splashed out on a stay at a four-star hotel in Cannes. On the Sunday morning the fun of sharing a family room, I woken very on Sunday morning before dawn had broken (crazy I know) and picking up my new Fuji X100 camera, I set out for a stroll along the beach. 

I was amazed how many people were up and about at that time, including groups of revellers coming home from a night out. I came across runners, fishermen, beachcombers, people sleeping rough – it was a glimpse into the side of life that most tourists would not see and I was pleased to have the chance to take some great pictures as I played around with my new camera.

Being a professional NorthYorkshire photographer working all over the north east regions means I can often be out all day so I’m used to carrying quite a large camera bag with a couple of camera bodies, lenses and other equipment in it, but having a small, lightweight camera allowed me to blend in with everyone else and take some casual shots.

I’m used to working to a photography brief for my commercial clients, so it was really enjoyable to have no pressure to deliver, and just be able to take random pictures. As the sun came up and the light bounced off the sea, subjects from beach-cleaning machines to a group of ants enjoying an apple core all found themselves on my shots list.

I wish I’d paid more attention in French class at school, but through a mix of my broken French plus some gesticulating I was able to talk to people and ask if I could take their photo. I got some interesting close up shots of one hardy middle-aged swimmer who goes down to the beach every morning for a dip in all weathers.

As it started to get hot I could see the attraction in getting your daily exercise done 
early. It could be that we were in Cannes, the home of the beautiful people, but it seemed to me that in general the French take good care of themselves and I was impressed by the number of pensioner-age people I came across walking, running and swimming. My new Fuji X100 camera was a joy to work with and even had a little go on video mode. 

Arriving back at the hotel I realised I’d been out nearly four hours and walked about three miles. My new camera had coped with conditions from near-darkness to bright sunshine and I can maybe see it being a useful addition to my commercial photography equipment range.

Stockton Freelance Photographer | Fire Engine and Vintage Vehicle Show in Eaglescliffe

In my 30 years as a professional press and commercial photographer working across the North East, Scotland and Teesside I’m used to taking photos under tricky circumstances, so I wasn’t fazed by this job which seen me 106 feet up in the air on an arial platform so I could get a bird’s eye view of the Fire Engine and Vintage Vehicle Show held at Preston Park Museum and Grounds in Eaglescliffe.

Thousands of people turned up to this annual event organised by Stockton Borough Council, where visitors could see fire fighting vehicles from bygone days to modern streamlined appliances, plus bikes, commercial and passenger vehicles, agricultural and military exhibits from the 1930s to the present day.

For family fun and great pictures, the main arena’s programme of events and activities couldn’t be beaten, particularly when monster trucks “Big Pete” and “Grim Reaper” rumbled into the ring to crush a line-up of old vehicles, and I got some high-impact shots from high in the sky.

From up there I could also use my fish eye lens to photograph the long line up of historic and modern day fire appliances, which from high in the sky stretched into the distance like a red ribbon.

Coming back down to earth for the display given by the bike riders from the Bolddog Lings motorcycle stunt team, as seen on Britain’s Got Talent, was a good move – their thrills and spills had spectators on their feet in amazement and I was able to get some great close up pictures of the action. 

Lots of the exhibits were like stepping back in time and you could see the work that had gone into maintaining them. One particular charming couple dressed to kill in their lovingly restored vintage car seemed very pleased to have their photos taken with their beloved vehicle.

With the large amount of shiny chrome and polished paintwork about, I was able to use reflections to bounce off photos of people admiring the hundreds of vintage motorbikes and cars and taking the obligatory selfies against them. 

It was a fun-filled day and although we didn’t get any brilliant sunshine, I was actually very happy with the soft light that the cloudy conditions presented. Too much sharp sunlight can often be a nuisance – check out the number of photos on your phone or camera where people are squinting against the sunlight – so a more milky light can often produce a better effect.  

It was hot all the same though, and I was mighty glad to get out of the harness and get my feet back on the ground!

Preston Park’s £7m restoration was looking beautiful, and I was pleased to have been able to document such a great day out for all the family. 

Football PR Photographer | Ex Middlesbrough Manager Steve McLaren Opens New Centre

One of my latest North East sports photography jobs was to cover the opening of the Cleveland Juniors Football Club’s new £418,000 clubhouse at Mill Hill playing fields in Acklam.

Opened by former Middlesbrough boss and ex-England manager Steve McLaren, who lives on Teesside, the new building was a big hit with everyone. Players had formerly been using an old shipping container as their changing facilities so this amazing building with a series of changing rooms, showers and office facilities was quite a contrast. 

The commission came about after a well-established commercial photographer in London found my website at www.davecharnleyphotography.com liked my work and after some discussions about the brief, then booked me for a commercial photography shoot at Acklam in Middlesbrough. My job was to take a series of photos of the building and grounds, plus some of the young players in action on the pitches, the family sports and activities on offer, and of course to cover the official ceremony.

A pretty big crowd had gathered for the event and out on the playing fields the young players were pleased to have the chance to show off their best moves in front of the camera, with their smart red and white strips adding to the energy of the shots. The same bright colour theme continued inside the building too, with lime green flooring throughout the building standing out against the cream and red walls.

On the pitch I had to work quickly to capture the action in the cage football area, where four players played a fast and furious game. It was good to see so many girls playing – the club has nine girls’ teams and two soccability teams and they play well, quite rightly expecting the same opportunities  as the boys.  

Also covered by the Darlington-based Northern Echo and the Middlesbrough Gazette, the ceremony saw Chairman Michelle Rush and other VIPS say a few words as I moved around unobtrusively with my camera taking pictures of the speakers and the crowd, before Steve McLaren cut the ribbon and declared the centre open.

I was delighted to be trusted to record this event in pictures for a club that really is embedded in the community and has a history of encouraging young talent, with a long list of young players who have gone on to play professionally.

After I had dropped off Julie from RWE at the Middlesbrough railway station (all part of the service) I reflected on Michelle Rush’s words when she said: “This is a community club with a strong ethos of offering free football and quality coaching to local people. There are no fences or boundaries - the club is for the whole community.”

It is so important to encourage young people into sport, and the enthusiasm and commitment I saw around me as I worked convince me that Cleveland Juniors FC’s new clubhouse will quickly become a firm favourite with young people from all over the borough.

North Yorkshire Commercial Photography | How to book a freelance photographer

My years of experience as a commercial and press photographer in North East England and Yorkshire comes in useful when I’m working with clients who are not familiar with booking and briefing a photographer. I often get asked the same questions so I’ve put together a few points that should help you draw up a briefing sheet for a successful photo shoot.

Date, time and location should be the starting point, plus contact details on the day in case of any problems. If it’s an event, detail the names and titles of any VIPs, and the running order so the photographer knows where he needs to be at what point.

Remember to think about whether he needs a security pass, or protective clothing. I’m used to taking commercial photographs at many of North East and Yorkshire’s chemical and pharmaceutical plants, factories and production environments so I always take my own protective gear with me, just to be on the safe side.

Uses: think about where you want to use the images. Your primary purpose might be to get some press photography for newspapers, magazines and in newsletters, but you may also need them for large format print such as banners, in bus shelters or on the side of vehicles, and on your website where landscape format and the ability to place text over the image will make life easier for your designer. All of these uses might need a different approach but an experienced commercial and PR photographer will guide you on that.

Style: your photos might need to fit with your existing corporate style. Give your photographer as much guidance as you can on what style you are looking for, for instance is the feel you want to achieve fun and funky, or serious and corporate - Coca Cola style or IBM?  I’m not suggesting you ask your photographer to copy anyone’s work, but giving them a flavour and feel of what excites you is useful. If you find that hard to put into words why not create a mood board on Pinterest. I’ve turned up on jobs in the past to find the client still establishing what style they want, and that can be a waste of everyone’s time and the client’s money.

Liability: check your professional photographer has the right public liability and professional indemnity in place. See my earlier news story (link), about the importance of having the right cover. Consent forms are something else to consider. It depends on the type of shoot but it is always wise to make sure you have people’s consent, for instance particularly on shoots involving locations such as care homes, schools, etc. 

Delivery:  I usually deliver the photos between one and three days after the shoot, unless the client has specified an urgent press or print deadline, which I’m happy to meet. A shoot with up to 200 shots can take quite a while to process properly and I like to take the utmost care at this stage. Tell your photographer what format you want your pictures in. Large format print work might call for large TIF files, but for most uses a high-resolution image of around 4MB will be fine. I use three platforms to send the results to clients - Dropbox, Hightail and We Transfer . Or I can deliver via email or drop the images onto a memory stick or disc if that’s what the client prefers

Invoicing: Make sure your brief details who should be invoiced (include post and email contact details), and whether your photographer needs an order number.

A little planning at the outset will help your photographer get the best possible results from the photoshoot. And when my clients are happy, so am I.