The six-month programme at
the college, which sits on Haughton Road, saw the creation of a new
Construction Innovation Centre, internal refurbishment and expansion of the
existing Learning Resource Centre, all aimed at offering an exceptional student
learning experience within the construction
and engineering sectors.
The Construction and
Innovation Centre was opened by Prince Andrew, on a recent visit to the North
East to see various initiatives aimed at tacking youth unemployment. The work
has added another 2,300 sq metres of light and airy space to the college, including
a new student entrance with lockers and changing facilities, where students
must put on high-vis vests, overalls, protective glasses and safety boots.
The brief was to take predominantly
architectural photography of the Darlington College in County Durham, plus a few staff shots (not included in blog). When I’m doing architectural photography over the North East
I make great use of perspective and colour to give viewers a sense of how the
architects have used all the tools of their trade to create spaces that people
will enjoy occupying, whether that’s for work or pleasure. The new extension
and refurbishment certainly gave me a lot of options, with a bold set of
colours and different textures wherever I looked.
The Construction Innovation
Centre gives students access to plumbing, brickwork, electrical and painting
and decoration workshops, plus gas assessment and a green energy training area.
I was impressed by the fully
equipped training rooms housing all the equipment that students could require,
and rows of steel tools against brick walls and wood panels provided some great
depth to the photos.
The courses are supported by
new IT seminar and conferencing suites and a Learning Resource Centre, with
glass walls so beloved of photographers promoting a real sense of space and
giving me opportunities to use the reflections they threw off.
A commission from Saltburn commercial photographer Cal Carey saw me heading back to my Scottish roots
recently, to photograph the world's biggest passenger jet as it landed in Scotland
for the first time to celebrate a 10-year link between Glasgow Airport and Emirates
airlines.
An early 5.30am start from Teesside
saw us arrive at the airport at 10.30am, in plenty of time to set up. The local
and national Scottish press photographers were out in force, and it was good to see a couple of familiar
faces from my press photography days, Colin Mearns from the Glasgow Herald was amongst the pack who I remembered from a couple of years back.
This was a very important
moment in the airport’s history and understandably, the client wanted to make
the most of photo opportunities of the visit, and when they asked Cal if he
could recommend a photographer who would work with him as a team, he kindly
suggested me.
A good press and commercial photographer can work fast and be in several places at once, but the high
profile event matched with airport security made it difficult to quickly move
around all areas of the venue as we usually would, hence the need for a team.
While Cal started off
airside to cover the plane’s impressive arrival and cover the passengers and
VIPs alighting, I was in the airport photographing the guests gathered to watch
speeches by Emirates' executive Hubert Frach and airport boss Amanda McMillan. As
part of the celebrations the pair exchanged ‘high quality’ model aircrafts and also
cut what looked like a very tasty cake.
At any event like this it’s
important to cover the assembled guests as well as the VIPs, to give a real
feel for the event. Although the hall was packed I was able to move around discreetly
with my camera and get some natural corporate photography shots of the Glasgow guests
without interfering with the proceedings. Although it was mainly a business
audience dressed in dark clothing, the uniforms of the cabin crew added a splash
of red that matched the stunning standard rose displays in the entrance.
After the ceremony I was delighted
to be able to join Cal airside to take some shots of the aircraft’s interior
and go into the cockpit and meet the pilots, particularly Iain Weir, who grew
up in nearby Clydebank.
Hubert Frach showing people
round the plane and chatting with cabin crew, many of whom had been hand picked
as coming from Glasgow and surrounding areas. The tour presented me with some
good interiors photography opportunities to show off the attention to detail
that has been put into this very impressive aircraft and the distinctive
Commonwealth Games logo on its fuselage, marking Emirates’ sponsorship of the
games.
Media interviews ran
slightly over schedule making the plane slightly late taking off for its return
trip to Dubai, but I think everyone there would agree it was well worth it, and
a great day for Glasgow, as the first Scottish city to welcome this super jumbo
aircraft.
Cal was staying over in
Glasgow so while I was on the train back to Teesside I took the chance to edit
the photos so that as soon as I landed back at my Stockton photography studio I could
download over 100 shots to Dropbox for the client to view that evening.
A good day’s work and one
that I hope Cal and I can repeat in the future.
Last month one of my jobs was to take photographs for a corporate brochure for Middlesbrough Football Club, at its Riverside Stadium.
The photographs will be used on the website and for a new brochure and marketing material to promote Middlesbrough club’s range of hospitality and
match sponsorship packages, which form the perfect facilities for meetings,
weddings and events on Teesside.
I am no stranger to Boro, in my work as North East and Yorkshire commercial and sports photographer I spent several years at the Middlesbrough Evening Gazette in 1997 and regularly covered premier league
footballers such as Fabrizio Ravanelli, Paul Gascoigne and Marco Branca.
Those days I was part of the press pack at Wembley shooting the
League Cup finals, and photographed the team’s triumph when they won the Carling Cup in 2004, and I was at the 2006 European Cup Finals in 2006 in Eindhoven,
when they were sadly beaten by Spanish side Sevilla. I was very often the only photographer covering the event
for the local paper – great days!
As I arrived for the match against Nottingham Forest the sun was about to set and I just had time to get some pictures of the
iconic metal Boro gates (top picture) framed against the sky.
My job was to circulate unobtrusively among the guests with
my camera, photographing people as they were arriving and enjoying a drink and
a bite to eat before the match.
Corporate brochure photography for a business like Middlesbrough Football Club is essentially about showing people having a
relaxing time and enjoying the facilities, and fits well with my preferred
informal, reportage style that allows the photos to tell the story.
I made for the executive boxes overlooking the pitch, which
are a great place to conduct business, reward staff and entertain family and
friends, giving people their very own piece of the Riverside ground through
glass-fronted viewing areas so they don’t miss any of the action.
The Ayresome is the most exclusive matchday facility available
at the Riverside Stadium, overlooking the famous old gates and offering guests
the chance to enjoy champagne and canapés, a complimentary bar and exclusive
invitations to join club officials to view the match in the prestigious
Directors Box.
Familiar with the building’s layout, I moved around taking
pictures as I went, and the deep red of the club’s corporate colour on the reception
area’s walls made a sharp backdrop against which to photograph some of the busy
corporate hospitality team in their smart uniforms.
As usual I was working mostly without flash so I didn’t get in the
way of or distract people. As well as photographs of people enjoying themselves
and watching the match I added in a few photos of props such as close ups of table
settings, to extend the range of shots and give the client as wide a choice as
possible when using the pictures in print and online.
As an adopted Teessider living in Stockton, I just had to
get a few shots of the statues of Boro and England legends Wilf Mannion and
George Hardwick, which stand near the entrance and remind fans of the club’s
illustrious history.
I returned to my Stockton studio armed with a set of pictures
that used my photographic skill and imagination to tell the story of the club’s
great facilities, and the audiences they are aimed at.
The photographs I took are going to be used to market all of Darrington Healthcare’s homes, so needed to be a mix of portrait and landscape photography orientation, and be suitable for inclusion in adverts, in brochures and flyers, online on the company’s website and on the over-sized roadside hoardings around Elm Park Care Home, the group’s newest property, which is being built in Doncaster in South Yorkshire, and set to open in September 2014.
Willow Park is a purpose built home set on three floors offering residential, nursing and dementia care, and is very popular with local families, constantly being at almost full occupancy.
On the day I visited it was buzzing with residents, their visiting families and staff and I had taken the time to walk round introducing myself and getting acclimatised so by the time I got my camera out everyone was comfortable with having me around.
I had also made sure that I had plenty of consent forms with me for people to sign. It’s really important that anyone who might appear in the resulting photos has given written permission, especially when the shots are to be used for marketing purposes.
Some of the liveliest photos came from the coffee bar and lounges, where people were relaxing and chatting with friends, playing board games or watching TV. Darrington Healthcare’s philosophy is that it’s the staff who make a care home, so I was careful to include plenty of staff lifestyle photographs attending to the needs of residents, whether that was getting them a cup of tea, helping them out into the garden for some sun or organising a lively game of bingo.
As luck would have it, the weekly visit from the hairdresser coincided with my visit, and the ladies were very good about me photographing them getting their hair done and catching up with local news, while upstairs in The Rovers bar and cinema room, I photographed two gentlemen enjoying a drink and engrossed in a huge jigsaw.
The home itself is tastefully furnished, and the dementia suite in particular has been designed to help people with this difficult condition recognise the various furnishings that have been chosen to help them find their way around.
A traditional rocking horse, an old gramophone and some framed newspaper cuttings from 50 years ago all added up to photos that would reassure families about the attention to detail that runs through all of Willow Park.
As the sun broke through the clouds I was able to get some exterior photos of the home and its landscaped gardens, complete with red telephone box. Willow Park was designed by Newcastle architects Alston Murphy, and photographing some of the branding and architectural details made for some interesting angles.
I finished the photography session off by taking some shots of some of the cosy corners and subtle lighting that typify the home and give it the look of a five-star hotel rather than what most people would expect a care home to look like.
That’s one of the things I like most about being a professional commercial and PR photographer working all over North East England and Yorkshire – being able to use my skills to take shots of people in everyday situations, and using great imagery to give a glimpse of the unexpected and beautiful.